WILLY TAY
Ocean's End
An Inward Dialogue
Untitled 06
Willy Tay Solo Exhibiton
An Inward Dialogue
28 Oct - 20 Nov 2005
Willy Tay’s paintings are large, with surface that demonstrate a delight in the
application and layering of paint. He applied emotion on to his canvas in wispy
strokes of pale color His medium is oil, applied in the most brilliant manner,
layered with numerous dimensions. The painting is almost monochrome but never
uniform. It is simple but it reveals much. It reveals a calm and spiritual
quality, like waft of clouds or mist, distilling lights from a pool of water. In
his paintings there is no summation or narration, viewer are not conform to a
specific dictation for the painter instead the viewer gain accessibility from
the texture, surface and tonalities of the color on the canvases. In this aspect
Tay’s painting is not longer bounded by a picture but infuses with everything
outside of it.
Willy Tay Solo Exhibition
Landscape+
New Finds 2004
15 Oct- 31 Oct 2004
1998 Bachelor of Arts (Fine Art),
RMIT University, Melboume.
1994 Diploma in Fine Art (Painting), LaSalle SIA College of the Arts
Artist Statement
"Landscape+" acts as a metaphor for carrying the will of inward
looking and feel. It aims to explore the spiritual sense of hope
in the our daily journey.
Fable of the Pelican
selected works by Willy Tay and Sia Joo Hiang
Opening Function
14 Nov, Thursday, 7pm
Private Preview Night Function
13 Nov, Wednesday, 7 - 10pm
Kindly RSVP by replying this mail
Exhibition continues from
13 - 30 Nov 2002
Fable of the Pelican
"In Alchemical literature, the pelican is a symbolic animal, said to bring its
dead young back to life with its own blood."
Do we forget " Storytelling" once we grow up?
Do we think that symbols are too conventional a way of presenting myths?
Or that alchemy exist only in the old books?
Sia Joo Hiang and Willy Tay certainly do not believe so.
Do come down to experience it, from now on, the pelican of this fable will fly.
Supported by :
ART MOTION
National Arts Council
Lee Foundation
Special Thanks to :
Pui Lin, Tamares Goh, Gunalan Nadarajan, Jane Lim, Milenko Prvacki and Jose Tay