KHIEW HUAY CHIAN
- 1990-93 Fine Arts Diploma, LaSalle-SIA College
of the Arts
- 1994 Degree course in painting, LaSalle-SIA College of the Arts
- 1993-99 Numerous group exhibitions
- 1985 Certificate of Merit, Della Butcher Award
Khiew Huey Chian's work appears entirely abstract at first sight but is in fact
derived from nature or from everyday objects. His inspiration for the Variations
of Colourscape Series came from his observation of the constantly changing
formations of clouds and colour of the sky, depending on the light, and from his
exploration of the effects of various washes of colours, often standing alone
but sometimes two colours, one over the other, floating on a white ground. Of
the primary colours, blue has the greatest intensity, able to give depth and
resonance to all other colours. In the fusion of his colour washes, Huey Chian
is performing a delicate balancing act - one false move and the whole structure
collapses - and at the same time evolving a unique visual language for himself.
X Ray: Spatial Approaches and Processes
3 – 26 April 2004 · An exhibition at Earl Lu Gallery, LASALLE-SIA College of the
Arts
NEWS RELEASE
Five local artists explore space at Earl Lu Gallery
Monday, March 29, 2004
Five of Singapore’s most promising young artists investigate space as part of
the latest group exhibition at Earl Lu Gallery at LASALLE-SIA College of the
Arts. Featuring the artworks of Abdul Rashid Gapur, Khiew Huey Chian, Tang Ling
Nah, Sawn Hwang and Lim Shing Ee, X-Ray: Spatial Approaches and Processes aims
to examine both the artists’ developmental processes as well as their personal
engagements with spatiality. It also intends to highlight these processes as a
significant and integral aspect of contemporary art practice.
Says Lawrence Tio, the curator of the exhibition: “X-Ray: Spatial Approaches and
Processes highlights the often-overlooked significance of process in
contemporary art. In particular, it examines the processes involved in the
creation of a spatially-oriented work. This exhibition takes as its premise, the
processes and approaches of five Singaporean artists to their engagements with
space.”
For instance, Khiew’s work seeks to question the functions of particular spaces.
By installing a ‘house’ within an interior space of a gallery, he problematises
the relationships between interior and exterior spaces. On the other hand, Abdul
Rashid’s Rear View features unappealing laundry hung in a random yet organised
manner – shadows and colours within the congested yet organised space. After
simplification of these complex aesthetics using lines on aluminium sheets, they
are repositioned and presented in a gallery – a space far removed from its
origin. Hwang’s work, however, does not deal with spatial concerns on an
aesthetic level – he aims to epitomise the concept of the artwork as a pure
artistic form. His work, 88 Branded Pedestals shows 88 white Formica shelves
fixed onto the entrance walls of the gallery. They are empty shelves with no
objects or artwork on them – just empty spaces. Immediately viewers are
challenged with the questions “what makes art?”, art and “if absence can be
accepted as art?”. Meanwhile, Tang deviates from her usual methodology for this
exhibition by leaving parts of her urbanscape drawing ‘incomplete’ and by
continuing to develop the image throughout the duration of the exhibition. Lim’s
work Sealed Medley, on the other hand, is an installation consisting of two
‘buildings’ – a smaller, organically-shaped ‘building’ made of clay, bringing to
mind an earthiness that exudes a sense of being out in the open, natural
landscape, as well as a larger wall-like structure that resembles an industrial
power plant or factory.
Says Tio: “The dominating urban landscape of Singapore and its social
implications has revealed itself to be a prevalent preoccupation among artists
in Singapore. While this is an unquestionably significant issue, my concern is
with the various processes and approaches through which local artists engage
with space and spatiality. This exhibition will examine not only the results of
these approaches but also reflect upon the processes taken along the way.”
Artist Talk
Abdul Rashid Gapur, Khiew Huey Chian, Tang Ling Nah, Sawn Hwang and Lim Shing Ee
wiill each deliver a talk on their works and their underlying themes. This
session will enable members of the public as well as art students to gain a
greater insight into the modus operandi of the artists. The talk will conclude
with a casual Question and Answer session with the curator and artists.
Sunday Art Trolley
The Sunday Art Trolley is a series of drawing sessions tailored for children
between the ages of seven and twelve. Children are encouraged to express
themselves through drawings and craft in response to the X-Ray exhibition by
using a variety of drawing materials provided by the gallery. Participants will
be guided by an art instructor and each session is 3 hours in duration.
Admission and participation is free-of-charge.
INTERVIEWS with the curator, Lawrence Tio, and selected artists can be arranged.
Participating Artists
Abdul Rashid Gapur
Sawn Hwang
Khiew Huey Chian
Lim Shing Ee
Tang Ling Nah
Curator
Lawrence Tio - Curator, Earl Lu Gallery, LASALLE-SIA College of the Arts
Event Information
Title
X-Ray: Spatial Approaches and Processes
Exhibition Preview
2 April 2004, 7pm-9pm
Exhibition Period
3 April - 26 April 2004
Venue
Earl Lu Gallery I
LASALLE-SIA College of the Arts
90 Goodman Road
Viewing Hours
10 am – 6 pm, open daily
Admission
Free
Related Event I
Artist Talk
Date
7 April 2004
Venue
Earl Lu Gallery I
LASALLE-SIA College of the Arts
90 Goodman Road
Time
1:30 – 2:30 pm
Admission
Free
Related Event II
Sunday Art Trolley
Dates
4, 11, 18 and 25 April 2004 (Sundays)
Time
2 – 5 pm
Venue
Earl Lu Gallery I
LASALLE-SIA College of the Arts
90 Goodman Road
Instructor
David Chan
Misc. Info
• For children aged between 7 and 12 years old
• Admission and participation is free of charge
• Art materials provided
Public Enquiries and Guided Tours
Call 6340 9102